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RECENZII DE FILM STRĂIN

Struktura krysztalu (Krzysztof Zanussi, 1969)

Struktura krysztalu (Krzysztof Zanussi, 1969)

Cold War (Pawel Pawlikowski, 2018)

Cold War (Pawel Pawlikowski, 2018)

Meshes of the Afternoon (Maya Deren, Alexander Hammid, 1943)

Meshes of the Afternoon (Maya Deren, Alexander Hammid, 1943)

Hable con ella (Pedro Almodóvar, 2002)

Hable con ella (Pedro Almodóvar, 2002)

You Were Never Really Here (Lynne Ramsay, 2017)

You Were Never Really Here (Lynne Ramsay, 2017)

Der siebente Kontinent (Michael Haneke, 1989)

Der siebente Kontinent (Michael Haneke, 1989)

The Wild Pear Tree (Nuri Bilge Ceylan, 2018)

The Wild Pear Tree (Nuri Bilge Ceylan, 2018)

Bande à part (Jean-Luc Godard, 1964)

Bande à part (Jean-Luc Godard, 1964)

A Portuguesa (Rita Azevedo Gomes, 2018)

A Portuguesa (Rita Azevedo Gomes, 2018)

The Artist (Michel Hazanavicius, 2011)

The Artist (Michel Hazanavicius, 2011)

Little Joe (Jessica Hausner, 2019)

Little Joe (Jessica Hausner, 2019)

Amour Fou (Jessica Hausner, 2014)

Amour Fou (Jessica Hausner, 2014)

Ex Machina (Alex Garland, 2014)

Ex Machina (Alex Garland, 2014)

Dead Ringers (David Cronenberg, 1988)

Dead Ringers (David Cronenberg, 1988)

Entr’acte (René Clair, 1924)

Entr’acte (René Clair, 1924)

Ôdishon (Takashi Miike, 1999)

Ôdishon (Takashi Miike, 1999)

Neruda (Pablo Larraín, 2016)

Neruda (Pablo Larraín, 2016)

Jagten (Thomas Vinterberg, 2012)

Jagten (Thomas Vinterberg, 2012)

The Tales of Hoffmann (Michael Powell, Emeric Pressburger, 1951)

The Tales of Hoffmann (Michael Powell, Emeric Pressburger, 1951)

In America (Jim Sheridan, 2002)

In America (Jim Sheridan, 2002)

Holy Motors (Leos Carax, 2012)

Holy Motors (Leos Carax, 2012)

The Air I Breathe (Jieho Lee, 2007)

The Air I Breathe (Jieho Lee, 2007)

Train to Busan (Sang-ho Yeon, 2016)

Train to Busan (Sang-ho Yeon, 2016)

Wonderstruck (Todd Haynes, 2017)

Wonderstruck (Todd Haynes, 2017)

recenzie de film The City Of Lost Children, Marc Caro, Jean-Pierre Jeunet

The City Of Lost Children (Marc Caro, Jean-Pierre Jeunet, 1995)

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